Kim Kircher, Author of The Next 15 Minutes, is a Winner!

April 17, 2013

next15minutes

The rescue beagles and I are having a serious WoOt moment.

The NAJSA (North American Snowsports Journalism Award) honored our beautiful and brilliant author, Kim Kircher (The Next 15 Minutes), with The Harold Hirsch Award for excellence in journalism in the Book category. The Book category is only given every three years. Judges are chosen based on their expertise in the field, and are not members of the organization. The award is named for Harold Hirsch, a long-time ski journalist, and member of the NASJA Board.

Stuff like this makes my spine tingle because I remember first meeting Kim at the PNWA Conference and loving her and her book. I remember going over edits together, and was continually amazed (and grateful) at how great she was at rewrites. We spend countless hours watching a book go from infant to shoving it out of the nest, so when a respected body of professionals deems that book a winner, it brings it all home for me.

I think this deserves a day of free e-books, don’t you? For Wednesday and Thursday, email me (lynn_at_behlerpublications.com) for your free e-book of THE NEXT 15 MINUTES, which is a fabulous and gripping story of finding strength at the top of the mountain in the face of huge personal turmoil. Be sure to put FREE NEXT 15 MINUTES in the Subject line.

WoOt, Kimba. Well done.


Interview Interruptus- When things go wonky

April 15, 2013

interview

One of my beautiful authors emailed me the other day to report on her latest media events. The reporter interviewing her had obviously not read her book, so she wasn’t fully prepared.

/ rant on: Why on earth would anyone interview someone when they are completely unprepared?? I’d rather eat a rusty razor blade that go into anything unprepared. Gah. /rant off

I felt for my author because she’s like most authors, who doesn’t think of herself as a product or brand, but as, well, a writer. So it’s easy to get caught flat-footed. But the truth is that once you sell that book, you need to put on your business hat and shoes (and matching handbag), and think like a promoter, which includes giving interviews.

My author’s interview interruptus brought back memories of when I faced a reporter many moons ago who was equally ill-prepared, so her questions were mind-bogglingly inane. I became a bit nervous when she looked at me with that deer-in-the-headlights expression that screams, “I have no idea what I’m doing,” so I sorta took control and spoon-fed her information that she could use…and make her look like a star.

My novel is medical fiction with a bit of a twist. When she stumbled, I jumped in and asked her if she’d ever thought about whether her doctor’s belief system could/would impact the way he treated her. Boyo, she stopped cold and really pondered the question. So I segued into Donovan’s Paradigm, and how that question plagues my two main characters, and how they wrestle with the potential and consequences of that idea. From there, it became easier for her to come up with her own questions because she became engaged in the topic.

And that’s the trick. If you draw a reporter in and make them look good, they’ll work with you. Revealing your irritation at their lack of preparation won’t get you squat.

My best advice is to channel the Girl Scouts and BE PREPARED:

  1. Always have a copy of your book on hand to give to the interviewer. They often have a copy, but if they don’t you can give them yours. It’s just a nice thing to do…even if it ends up on eBay.
  2. Go into your interview believing they haven’t read your book: That way, you won’t be surprised and will be able to remain calm and centered. When you’re calm and centered, you tend to think better on your feet.
  3. LISTEN:  Too often we’re thinking about what we’re going to say next rather than listening to the reporter’s question and watching their body language. I’ve learned this particular gem from talking to authors during marketing strategy sessions. Even though I have all the promo stuff in front of me, the authors often says something in passing that I pounce on because it encapsulates the essence of their books, and drastically changes the promo strategy. A reporter may say something in all innocence (or ignorance), and it could end up being the igniter for something brilliant that escapes your precious pie hole.
  4. Pull out your main theme that invites discussion:  The idea is to give the reporter something to grasp, so they can get a good interview. Help them out by saying something open-ended:

Interviews are stressful enough without having a case of the sphincter puckers while you watch your interview circle the drain. Give them an opener that they can use as a life line.

Reporters usually have the formulaic open-ended question tucked beneath their bra strap: “Why did you write your book?” If you have a good amount of time to blow on an interview, this question can be lots of fun because it explores you, the author, and gives you a personality. But normally, the reporter has a nanosecond, and this question eats up precious time that doesn’t say anything about your book, which is the purpose of an interview because you’re hoping to grab readers’ attention.

Best way to do that is to be prepared for the disaster.

As for my gorgeous author? Phht. She’s a pro and pulled it off…despite being deathly ill…and threw in interesting elements of her book. That said, I doubt she’ll ever go into another interview without having more tricks up her sleeve. And neither should you. Avoid Interview Interruptus, and go out and rock it.


Writing Beagle Style

April 11, 2013
Escape Artist

Escape Artist

Anyone who has ever had a beagle knows they live to smell. And they like to take their time doing it. Our rescue beagles have this sniff and process thing down to science, which means they can sniff one spot for five minutes which means they take their time so they can soak it all in…

…which means they’re not in any rush, and this leads me to the other morning’s fun and games. One of the rescue beagles managed to snork out of her harness and made a break for freedom after she managed to wrap herself around a tree. Meanwhile, dragging the second rescue beagle behind her, a horrified Pricey took off in hot pursuit after the escaped rescue beagle – who was having the time of her life. Mind you, hot pursuit is an endeavor I’d hoped to avoid for the rest of my life.

The ultimate insult is that she knew what she was doing. Little rat would wait until I’d almost reached her, then she’d throw back her head and laugh, and take off again. Thoughts of murder were racing through my oxygen-starved brain.

But her glee in striking out for freedom had its drawbacks. Instead of lollygagging over a spot for five minutes to process every nuance, she was forced to speed sniff in order to stay one step aheand of my grips. She’s still on smell overload, and it serves her right.

I see lots of speed sniffing in many submissions. The writing appears is rushed and green, and it’s obvious the author didn’t take the time to stop and analyze each scent. I wish, wish, wish, more authors would s-l-o-w down. Just because you’ve written The End doesn’t mean it’s ready for query. Instead, think about writing Beagle style. Stop and sniff the spots in the forest. Process every scent, every nuance so that you are confident you have the story you intended to write.

I always recommend that writers toss their newly finished books aside for a few weeks. It’s only with fresh eyes that you can spot the rough patches. You only get once chance to make a first impression, so don’t blow it by sending a manuscript that hasn’t had the chance to marinate and age. I can always tell when an author has written Beagle style. The writing glows and warms my evil soul into a puddle of goo. And isn’t that the reaction you want from an editor?

As for the rescue beagle, I finally snatched the little breakout artist when she stopped to bark at another dog and its pissed-off owner. Over all, not a good way to start my morning, but a great way to get my blackened, soulless heart pumping.


1400 Blog Posts – Time to Celebrate With a Free Book

April 9, 2013

Testicles-sm

Hey, I just noticed that I posted my 1400th blog post. In celebration of my extreme wind-baggery, I’m giving away 10 copies (or e-book version) of our newest release, LEARNING TO PLAY WITH A LION’S TESTICLES by Melissa Haynes.

If you love stories about the healing powers of the animals of South Africa – yeah, even the drippy fanged ones – and one very handsome but cranky animal reserve ranger, then you won’t stop laughing, or maintain a dry eye

Email me (lynn_at_behlerpublications.com), and I’ll get a copy out to you. If you want the e-book version, I’ll email the book directly to your Kindle or Nook account.

Non-US residents – e-book version only.

For Kindle users

Most of you don’t know what your Kindle email account is. I need it in order to send you the e-book version. It will have the extension @kindle.com. You can find it in your Amazon account.

Click on Manage My Kindle under your Amazon account (it’s on the upper right-hand corner). When the new window opens, you’ll see a bunch of options on the left-hand side. Scroll down to the Your Kindle Account section, and click on Manage Your Devices. Your Kindle will pop up with your Kindle email addy.


How To Guarantee Yourself a Rejection

April 8, 2013

frustrated

Psst…here’s a hot tip for those of you who want to waste your time and the time of those you query; make sure that you send a very long query letter that mostly talks about your fabulosity…and dedicate one – yes ONE – sentence about your book.

I guarantee that you’ll be able to wallpaper your home in rejection letters.

Actually, I don’t want you wasting anyone’s time – especially your own – because you’ve worked long and hard on your stories. I want you to be successful, and I’m continually dismayed at what you think we blood-sucking editors want to hear. Lots of you include stuff that isn’t important.

For example, if your main character finds herself in Hell and discovers the Devil isn’t as bad as she’d been taught to believe, then it’s not necessary to include the circumstances of your character’s demise. If the manner of her death isn’t the crux of the story, but merely a vehicle to get her into Hell, then don’t include it because you’re wasting time, along with confusing  an editor. We’re fairly simple creatures, and we’re going to wonder why you included it. Stick to the stuff that explains the plot and your character.

I happened to read Query Shark the other day, and I loved this query letter. So did Janet. So did the commenters. It’s a prime example of what works. The author didn’t waste any time on the superfluous, but kept it tight and on point.

Platform

And speaking of platform (was I?), I know many of you are worried about including your platform – or pointing out that you lack one. Platform is important with nonfiction, but it should NEVER be the main dish. It’s a side dish. It’s secondary. You’re trying to sell your book – and that’s where you must put your focus.

Rarely does an editor sit around with her submission committee and say, “I don’t care about her book, she has a platform the length of my legs!” Someone with a great platform can still write a really lousy book. And a lousy book is going to get panned by readers.

So if you’re looking for fresh wallpaper or birdcage liner, then I recommend proceeding incautiously. For everyone else, be mindful because it’s all about being successful, baby.


Reading: The Perfect Addiction – Learning to Play With a Lion’s Testicles

April 1, 2013

quit reading

Last time I said that, I finished the damn book. At 2 a.m…

And speaking of addiction, I highly recommend picking up a copy of LEARNING TO PLAY WITH A LION’S TESTICLES by Melissa Haynes. I couldn’t put this down, either. I laughed my fool head off and cried through a box of Kleenex.

Testicles-sm

Wazzit about? Well, let me tell youse…

Melissa didn’t fit the typical picture of one who volunteers at an animal reserve. Even though she arrived in South Africa, excited to give of her time and energy, she also brought a heavy heart of unresolved grief over her mother’s death three years prior.

The animals taught Melissa far more than she could have ever learned on her own. The lions nearly made a meal of her, but they also challenged her to face life without fear. Her daily battles with a very cranky, dung-and-tree-branch- flinging ellie taught Melissa humility and respect, and she ended up growing very fond of her at the end of her stay. Even Harrison, the ever-faithful bucket of bolts, spit, and glue, managed to teach Melissa a thing or two about faith and struggle by keeping her out of danger from charging rhinos and hungry lions.

The hartebeest couple was the hardest because they were utterly devoted to each other, and Melissa checked up on them every afternoon. When the female got sick, it brought it all full circle for Melissa:  hoping and praying she would survive, watching her mate protect and comfort her for days, and then her final passing followed by butchering her carcass to feed the lions. Even the gorgeous, burly ranger at her side didn’t hurt too much either – even if he was about the crabbiest man she’d ever met. It was as though this experience was written for Melissa to make her come to terms with the guilt and pain over her mother’s passing.

LEARNING TO PLAY WITH A LION’S TESTICLES is an unforgettable story in which Melissa faces the animals of South Africa and returns with a happy, healthy, and blessed life.


Happy Easter

March 31, 2013

easter beagle

May the Easter Beagle bring you many eggs filled with books!


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