For those of you who may have missed Adam Eisenberg’s fabulous author event on CSPAN2 Book TV for his wonderful book A Different Shade of Blue, you can watch it on your ‘puter here. God, I love the internet! As an editor, my little black heart burst with pride as Adam deftly handled a panel and his own event like a seasoned pro.
This is a great book because it’s all about how women have changed the face of police work. And yes, I do believe that women add a powerful and poignant banquet of pluses to police work because they are far less likely to resort to violence. They have to be more clever – and Adam’s book highlights some of the wonderful ways in which women’s ingenuity saved lives and, well, made me laugh my head off.
This isn’t a “women’s lib” book, but a celebration of those who had the guts and desire to break through a mold for the sheer love of making their small corner of the world a better place.
And speaking of changing the face of things, my quest for world domination took a closer step to reality with a lovely review of my book, The Writer’s Essential Tackle Box, which is a “Hot Read” in OC Metro Magazine.
I am particularly proud of this book because it’s a culmination of everything I’ve learned and discovered in my publishing journey – which I love more than Twinkies. Writers are the coolest people around, and this book is about discussing issues with them that no one else does.
If you want to learn about all aspects of publishing in the US, this is your one-stop shopping guide because I scratched every possible itch. From interviews with agents, book reviewers, the lovely Victoria Strauss, distributors, cover designers, to ending up with a manuscript autopsy and an entire section on The Writer’s Survival Style Guide, which covers the main reasons why manuscripts never make it past first base.
OC Metro sent me two magazines – one for me, one for Mom, which was lovely, but I think I need more…WoOt!
And then there’s Richard Gilbert, talented author of his wonderful memoir Marching Up Madison Avenue. Richard is the real live embodiment of the TV show Mad Men, so his perspective is particularly interesting when it comes to how often Hollywood gets it wrong. Apparantly Advertising Age Magazine agreed – who gave Richard an amazing review, btw – and printed this article that focuses on Richard’s take on Hollyweird.
I love Richard’s book because he was there, making advertising history back when it was possible for the little guy to make a huge difference in the way we see a product – whether it’s London Fog or After Six tuxedos – where they dressed up a dour Soviet Premier Alexey Kosygin in a tux with the caption, “Mr. Kosygin, we’d like you to have a free tux.”
I’m a one who believes that if you want to know where you’re going, you need to know where you’ve been. Richard Gilbert was right there on Madison Avenue, adding a huge measure of class and intelligence to the ads he produced. How I wish our current rash of pathetically dismal advertising conglomerates would take a page from Richard’s book. And besides, who doesn’t love a David and Goliath story?
The beagle wanted to brag about the new bar she found, but I told her to get her own damn blog.