Writing with in intention is what keeps a storyline moving in a forward direction. What do I mean by that? It means that you’ve defined exactly what you want/need to say in any particular chapter. It means that you know the elements/scenes that will keep your story moving in a forward direction. This is what separates a great story from one filled with aimless fluff.
Think of it as following a recipe. (Not my recipies – god help us all – but real people who actually know how to cook without calling the fire department) Let’s say you’re cooking chicken piccata – a dish that I actually cook really well (after many do-overs).
Here’s the recipe:
1 chopped onion
¼ cup sherry
3 tbs. lemon juice
1 cup chicken stock
- Saute onion until just tender – set aside
- Dredge thoroughly beaten-the-sh*t-out-of-the chickie through flour, and lightly brown on both sides in butter, set aside
- Add onion and garlic
- Over high heat, add broth, sherry, and lemon
- Let thicken
- Take a little of the juice out and mix with a little flour
- Pour into sauce and allow to thicken
- Add chicken
- Serve over noodles or spaetzle
Easy and straightforward. What you don’t see in the recipe are the copious amounts of wine I drank when I burned the first batch of chicken. You don’t see me pondering whether this would be a good time to order Chinese take-out. You also don’t see me cutting up the burned chicken and feeding it to the dogs.
Why? Because it doesn’t have anything to do with the recipe. It’s filler at this point. A recipe is writing with intent. It’s an outline to keep you on track. The ingredients are the essential elements that make up your story. The directions are the outline. The ingredients and directions support each other. They have to. If they don’t, then you’re writing without intent, and going free-range.
Now let’s re-title the recipe to Pricey’s Hapless Adventure With Chicken Piccata. Because the title, ingredients, and directions are clearly set, it’s easy to write about the burning of the chicken, considering Chinese take-out, and feeding the dogs, because it’s forward movement and supports the ingredients and directions…and the overall theme of Pricey’s Hapless Adventure With Chicken Piccata.
You have to ask yourself with each new chapter, “What do I want to say and do these scenes support the overall theme of Pricey’s Hapless Adventure With Chicken Piccata?” If not, readers will throw your recipe across the room and say naughty things about you.
In short, the boundaries need to be clearly marked so you don’t go outside of them. How can you do this? Well, let’s say in the example above I include some scenes about taking a phone call from an author excoriating me because I didn’t give them a reason for rejecting their manuscript (really happened). This has nothing to do with Pricey’s Hapless Adventure With Chicken Piccata, so the story loses its forward movement.
If I include copious scenes about how it snowed and I nearly took a header off the porch stairs; how a huge tree branch fell in during high winds; how The Rescues insisted en masse that 13 degrees was far too cold to go outside – now I’ve lost all cohesiveness to Pricey’s Hapless Adventure With Chicken Piccata because these scenes have zero to do with the subject matter.
So you can see that writing with intent is vital to keeping your story cohesive, moving forward, and sticking with the theme. If Pricey’s Hapless Adventure With Chicken Piccata has almost zero to do with the elements of an adventure while cooking, then you know you’re out of your zipcode.
Write with intent. Be brilliant!